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	<title>Janusz Podrazik &#187; Cristiana Moldi Ravenna</title>
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		<title>Performance</title>
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		<pubDate>Thu, 03 Mar 2011 08:01:09 +0000</pubDate>
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				<category><![CDATA[Cristiana Moldi Ravenna]]></category>

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		<description><![CDATA[Valentino a Roma - Retrospective (Rome, 2007)
Appello alla Nazione - Performance (Venice Bienniale, 2003)
Primo Secondo Terzo Accordo - Performance (Italy, 2002)]]></description>
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<h2>Valentino a Roma</h2>
<p class="pro">Retrospective (Rome, 2007)</p>
<p>&#8220;Valentino a Roma: 45 Years of Style&#8221; held at the Museum of Ara Pacis, recently renovated and extended by the architect Richard Meier. A perfect synthesis of classicism and modernity. Exhibition created by Patrick Kinmonth and Antonio Monfreda, with music composed by Janusz Podrazik.</p>
<p><img src="http://januszpodrazik.com/wp-content/uploads/2011/03/valentino-cover.jpg" alt="" title="Valentino a Roma" width="450" height="338" class="alignnone size-full wp-image-1980" /></p>
<p class="pro">Commissioned by Valentino<br />
Music by Janusz Podrazik<br />
© 2007 MRAC Publishing</p>
<p><br class="spacer" /></p>
<h2>Appello alla Nazione</h2>
<h5>Protest against the war in Iraq</h5>
<p class="pro">Performance (Venice Bienniale, 2003)</p>
<p>A live contribution by Alfredo Pirri in collaboration with the composer Janusz Podrazik and his composition for string quartet, piano, real time sythesis, a poem by Cristiana Moldi Ravenna and mezzo soprano Dale Wesson has opende the RAM programs of project Utopia Station the 50th edition of the Venice Biennial Exhibition.</p>
<p>As an Internet radio devoted to art, RAM has been invited to the 50th edition of the Venice Biennial Exhibition. It will be part of the project Utopia Station. This location is created by the Austrian artist Franz West and situated in the Tese delle Vergini garden. Cecilia Casorati is the head of RAM programming. Editorial staff comprises Lorenzo Benedetti, Gigiotto Del Vecchio, Matteo Giacomelli and Nicola Setari.</p>
<p><a class="fancybox" href="http://januszpodrazik.com/ssp-files/aan.html"><img src="http://januszpodrazik.com/wp-content/uploads/2011/03/appello-alla-nazione-cover.jpg" alt="" title="Appello alla Nazione" width="450" height="338" class="alignnone size-full wp-image-1988" /><span class="fancy-arrow">Photo Gallery</span></a></p>
<p class="pro">Composition for String Quartet, Piano and Real Time Sythesis<br />
Poem and Voice Cristiana Moldi Ravenna<br />
Mezzo Soprano Dale Wesson<br />
Music by Janusz Podrazik<br />
© 2003 MRAC Publishing</p>
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<h2>Primo Secondo Terzo Accordo</h2>
<p class="pro">Performance (Italy, 2002)</p>
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<h4>Primo (I)</h4>
<p><img class="size-full wp-image-412 alignleft" title="PSTA 1" src="http://januszpodrazik.com/wp-content/uploads/2008/12/psta1.jpg" alt="" width="180" height="136" />The natural orbit turns gigantic, ready to absorb the chords more abstract, more distracted, without logical rules, absent-mindedly selected and infinite. It allows only the survival of uncountable, permanent, perfect notes in consonance in the dull, unaware and perpetual transmission.</td>
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<h4>Secondo (II)</h4>
<p><img class="alignleft size-full wp-image-413" title="PSTA 2" src="http://januszpodrazik.com/wp-content/uploads/2008/12/psta2.jpg" alt="" width="180" height="136" />Natures transform, begin and finish in the complexity of the generation and regeneration of the infinite shapes &#8211; from simplest to the most complicated.</td>
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<h4>Terzo (III)</h4>
<p><img class="alignleft size-full wp-image-415" title="PSTA 3" src="http://januszpodrazik.com/wp-content/uploads/2008/12/psta3.jpg" alt="" width="180" height="136" />Loss of the universal nature, loss of the transformed natures. What remains is the emptied humanity, deprived of the essence of nature. The not-nature remains, its negation that drags whirling, through the power truths. Fixed hierarchies on obedience and the shapes of obedience, the punishments, the blackmails, the hard works of every acting, and the rituals of acting.</td>
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<p><a class="fancybox" href="http://januszpodrazik.com/ssp-files/psta.html"><img src="http://januszpodrazik.com/wp-content/uploads/2011/03/psta-cover.jpg" alt="" title="Primo Secondo Terzo Accordo" width="450" height="338" class="alignnone size-full wp-image-1969" /><span class="fancy-arrow">Video</span></a></p>
<p class="pro">Film by Janusz Podrazik<br />
Poem by Cristiana Moldi Ravenna<br />
Music by Janusz Podrazik<br />
Voices Gianni De Luigi and Cristiana Moldi Ravenna<br />
Performer Cristiana Moldi Ravenna<br />
Camera Raffaele Avella and Francesco Da Mosto<br />
Production MRAC Publishing Ltd.<br />
© 2002 MRAC Publishing</p>
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<h5>Audio Player</h5>
<p><strong>Selection</strong><br />
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		<title>Cristiana Moldi Ravenna</title>
		<link>http://januszpodrazik.com/connect/cristiana-moldi-ravenna</link>
		<comments>http://januszpodrazik.com/connect/cristiana-moldi-ravenna#comments</comments>
		<pubDate>Fri, 26 Nov 2010 00:14:24 +0000</pubDate>
		<dc:creator>MRAC Publishing</dc:creator>
				<category><![CDATA[Connect]]></category>
		<category><![CDATA[Cristiana Moldi Ravenna]]></category>
		<category><![CDATA[Performer]]></category>
		<category><![CDATA[Writer]]></category>

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		<description><![CDATA[Cristiana Moldi Ravenna’s poetical research is concerned with “the possibilities of a change”. Repeating the sounds from the first line to the second one of a poem, down to the last word, in an infinite chain of similar words, something differ and change, giving origin to new modifications of sense and meaning.]]></description>
			<content:encoded><![CDATA[<p class="pro">Writer / Performer (Venice, Italy)</p>
<p><img class="alignleft size-full wp-image-558" title="cristiana" src="http://januszpodrazik.com/wp-content/uploads/2008/12/cristiana.jpg" alt="cristiana" width="240" height="180" /></p>
<p>Cristiana Moldi Ravenna’s poetical research is concerned with “the possibilities of a change”. Repeating the sounds from the first line to the second one of a poem, down to the last word, in an infinite chain of similar words, something differ and change, giving origin to new modifications of sense and meaning.</p>
<p>Neologisms like Perseduzione (it may mean “iper-seduction or “because of seduction” according to the reader’s feeling) witness the complete ‘authority’ of the author. The structure of her books is like that: on the right page she writes a dialogue and on the left page a poem, so a dialogue has to follow some rules to let people understand your ideas, while poetry can be expressed with a very synthetic language. So the reader is allowed to follow the different feelings and emotional situations that sometimes need poetry to be expressed and sometimes need a dialogue.</p>
<p>In 1996 after publishing Primo Grillo Secondo Grillo (First Cricket Second Cricket) Andrea Zanzotto wrote to her “I hope you will find somebody who wants really to understand you” it was a good omen as she won the first prize of the national competition “Theatre and Science” and the jury composed by the philosophers and directors Giorello, Gregori, Quadri, Ronfani, Roboni, Sequi, gave the following motivation to her prize: &#8220;the jury appreciated particularly the phone &#8211; mathematic score made up of visual suggestions together with the experimental writing that has the specific function of questioning itself on a possible theatre of poetry going to the extreme debate on the sense itself of poetry&#8221;. Gianni De Luigi always supports her work and presented and performed it many times on different occasions with his students.</p>
<h4>Books and performances</h4>
<p>1978 Genesi continua, Cluec, Venice; book and performance, Nuovo Spazio Art Gallery, Venice<br />
 1984 Some Contradictory Aspects; book-essay on the work of the graphic designer Aubrey Beardsley<br />
 1985 Portrait of the Artist Computer art in Venice, Exhibition New York University in Venice<br />
 1979 Uterus Heart and Mind, book and performance, La Chiocciola Art Gallery, Padova<br />
 1982 Polaroids: Working with an Image Biennale of Bilbao<br />
 1988 Perseduzione, book, performance and video<br />
 1996 Primo Grillo Secondo Grillo (First Cricket Second Cricket) Supernova, book and performance; winner of the first prize “Theatre and Sciente”.<br />
 1998 Primo Giardino Parlante (First Talking Garden) Supernova, book and performance,The Talking Labyrinth; book and performance<br />
 Perfect Labyrinth; book and performance<br />
 Without Labyrinth; book and performance<br />
 2000 Helen and the War, Supernova, Venice, performance and book<br />
 2005 Cadeau (Present) performance video at Studio Tommaseo-Trieste Contemporanea. exhibition-performance<br />
 In this exhibition, by means of a game, like bingo, CMR explained her work to the public<br />
 2005 Fragments exhibition and reading of poems at Ai Miracoli Gallery</p>
<h4>Exhibitions and books on urban signs</h4>
<p>From 1979 to 1984 she had exhibitions with Guido Sartorelli on town design<br />
 Rome and Geneva, Modena, Rome, Ferrara<br />
 In the Sign of Modena, Modena<br />
 Inside the Forms of a Town, Galleria del Cavallino, Venice; Rome, Warsaw<br />
 Semiopolis, Venice<br />
 Graz Zeichen Einer Stadt, Am Landesmuseum, Graz<br />
 City as Means of Publicity, Venice<br />
 City as Means of Communication, University of Siena<br />
 Metamorphoses, (Gianni De Luigi’s idea)<br />
 All the exhibitions had always a catalogue with original texts.<br />
 In 1987 she developed a section of computer art in Graz for Arge Alpe Adria where the public could give origin to a new Central Square on a computer, assembling the town signs of Venice and Graz.<br />
 2006 August NYU at IUAV lecture How to perform a performance<br />
 2008 June – 2009 January, exhibition<br />
 &#8216;Viaggio in Italia&#8217; at Landesmuseum Graz<br />
 2009 Canti del Risveglio, a book of poems, Supernova.</p>
<h4>Books and Articles of Art</h4>
<p>1989 Secret Gardens of Venice, photos by Gianni Berengo Gardin<br />
 researches and texts by Cristiana Moldi Ravenna, Tudy Sammartini<br />
 Arsenale Editrice Venice, 1989 (2001 5th edition)<br />
 Artelaguna ‘95, directed by Simonetta Gorreri<br />
 Centenario de La Biennale di Venezia, Marsilio<br />
 1996 The colours of light, Marsilio, Venice<br />
 1998 Miniature, poetic transcription into Italian of the poems written by Socrat Janovic, Edizioni del Cavallino, Venezia<br />
 2005 &#8216;The light beyond the surface, essay on Mario Deluigi, ‘Yacht in Venice’<br />
 2006 Spatialism in Venice essay on Carlo Cardazzo,‘Yacht in Venice’<br />
 She writes for <strong>Nexus</strong> magazine.</p>
<h4>Poetry for Music</h4>
<p>Since 2002 she has been working with the composer Janusz Podrazik.<br />
 2002 &#8216;Primo secondo terzo accordo&#8217; performance, music and poetry, movie by Janusz Podrazik<br />
 2003 &#8216;Appello alla nazione&#8217; music and poetry, Biennale of Venice, with Alfredo Pirri and Franco Jesurun<br />
 2005 &#8216;Kritiken Nostalgia&#8217; for la Groggia Theatre, Venice, new themes for poetry and music.</p>
<p><a class="mail" href="javascript:DeCryptX('dsjtujbob/npmejsbwfoobAhnbjm/dpn')">Contact</a></p>
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